The random home video observations of author and critic TIM LUCAS.

Monday, September 30, 2013

THE FUGITIVE: My 50 Year Eureka


I'm now nearly halfway through my umpteenth viewing of THE FUGITIVE (the original, not the redo), courtesy of Paramount/CBS Television's MOST WANTED EDITION box set of the complete series. I have been watching this show for about 50 years, since it was first broadcast, but only now am I beginning to take notice of what may be its most important sociological subtext.

I am coming around to the view that what is most appealing about the show is not David Janssen (who gives what is still perhaps the most consistently believable performance of a continuous character in television), nor is it Kimble's plight at having to prove his innocence. It's not that at all... but rather that the show (inadvertently?) depicts an ultimate male fantasy of escape.

Think about it: Kimble breaks away from his domesticity in Stafford, Indiana (he didn't "kill" his wife), has numerous encounters and amorous adventures on the road, all while being doggedly pursued by a representative of the very law that tied him to that woman. William Conrad's opening narration ("... reprieved by fate when a train wreck FREED HIM en route to the death house ... FREED HIM to hide in lonely desperation, to change his identity, to toil at many jobs ... FREED HIM to search for a one-armed man he saw leave the scene of the crime ... FREED HIM to run before the relentless pursuit of the police lieutenant obsessed with his capture") keeps hammering those words "freed him" till they sound like serial temptations of the word "freedom." He blames a one-armed man - a metaphor you don't have to be Sigmund Freud to figure out. And at what sort of jobs does he toil? Construction worker, truck driver, road builder, bouncer - the sort of jobs that put hair on a man's chest.

The underlying point is surprisingly stark once you notice it. As dark and challenging as Kimble's fugitive existence may be, it FREES HIM. Once he's exonerated, it will mean a return to a regular existence, to a job and a home and a schedule, and clang clang go the jail guitar doors.

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